exhibitions
Fecund Ground - Collaboration with Tom of Finland Foundation for World Pride
Bas Kosters - part white group
By Marc Deurloo
New Kin - Raquel van Haver
For centuries, Amsterdam’s civic guard portraits functioned as status symbols for the city’s elite. In her series 'The Collateral Kin', Raquel van Haver reclaims this monumental tradition, shifting its focus toward the artists, thinkers, and makers who shape Amsterdam today. Following its debut at the Amsterdam Museum as part of the city’s 750th anniversary, the exhibition arrives at raam art space Amsterdam, where three large-scale installations are set against a panoramic view of the city they reflect.
Van Haver’s practice operates as a form of social journalism. Drawing on more than 150 interviews with residents aged 18 to 80+, she translates lived experience into dense, tactile works composed of charcoal and gypsum. The portraits are framed in unique wood veneer, a material choice that references the domesticity of the home while offering a sharp critique of the colonial timber trade and the VOC. Developed in collaboration with the Amsterdam City Archives, the voices behind these works are preserved as part of an enduring civic record.
Alongside these towering installations, Van Haver presents twenty intimate, small-scale portraits of the individuals featured in the series. Winner of the Dutch Royal Prize for Painting and represented in major institutional collections, Van Haver positions this exhibition not only as a visual experience, but as a call to engage. She issues an invitation to listen, to witness, and to act. Join us for this profound tribute to the heroes of modern Amsterdam. At raam art space Amsterdam, Raquel van Haver reimagines Amsterdam’s historic civic portraits through the voices of the city’s contemporary changemakers. Through monumental installations and intimate works, Van Haver translates over 150 stories into powerful, tactile portraits, presenting a compelling tribute to the city’s present-day heroes and inviting us to listen, witness, and act. The solo exhibition at raam art space is an extension of the exhibitions at Amsterdam Museum and Kers Gallery last year.
Koos Buster presents: the Ministry of Ceramic Affairs II
After an impressive first edition in 2022, the Minister of Ceramic Affairs Koos Buster presents 'The ministry of Ceramic Affairs 2'. He curates an exhibition in which a diverse selection of ceramic artworks will be presented. More information soon!
Post Pollution Panel talk
For the exhibition Post Pollution, Willem de Haan retrieved 99 plastic bottles from the Mediterranean Sea. Some were still intact, others weathered by the elements. These plastic bottles were sent to a selection of 99 international artists with the assignment to transform them into an art object. The artists were carefully selected by De Haan in collaboration with Galerie Vriend van Bavink.
All artworks are offered at the same price and without mentioning the name of the artist. Any unsold works will, with reluctance, be thrown back into the Mediterranean Sea.
In doing so, the potential buyer is placed under pressure, raising questions about collective responsibility. De Haan also offers companies and private individuals the opportunity to ease their conscience by fulfilling an ecological moral obligation.
On Friday, 13 February, raam art space and De Haan will engage in conversation with Jaqueline Cramer, former chair of the Plastic Soup Foundation, an organization that uses scientific research and political advocacy to combat plastic pollution at its source.
Can art be the key to structural systemic change?
The evening will take place at raam art space, the new exhibition space of Galerie Vriend van Bavink at raam art space, Oosterdokskade 161. With this panel discussion, we will close the first exhibition in this new gallery space and reflect on its distinctive contribution to Amsterdam’s art landscape.
RSVP here!
Willem de Haan - Post Pollution
Willem de Haan traveled to the Mediterranean Sea to collect 99 plastic bottles from the water. These plastic bottles were distributed among a selection of 99 international artists. The exhibition Post Pollution presents these 99 artworks. If the works remain unsold at the end of the exhibition, they will reluctantly be thrown back into the Mediterranean Sea.